You're allowed to outgrow your choreography and learn a new one together. Marriage isn't a museum; it's edits and drafts, and you both get another draft.

The thought behind it

It grants permission — not to be reckless, but to stop apologising for a want that was reasonable all along. It sits in Couple because the wedding is the trailer; the film is the decades of being fully witnessed. “25” is doing the work: it is where the line stops describing you and starts asking something.